ABOUT US

HD HOUSE IS A TECHNICAL PRODUCTION SERVICES COMPANY AND DIGITAL CINEMA SOLUTIONS PROVIDER SERVING THE FILM AND TELEVISION COMMUNITY IN SOUTH FLORIDA AND BEYOND.

HD House was founded in 2008, by two industry natives who are passionate about gear and the ever-changing technology of our field. As the industry continues to evolve, our mission is to provide you with the tools you need to remain on the cutting edge of production, while achieving the highest level of production value on each and every shoot.

 

HD House provides digital cinema equipment rental packages; high end cinema lenses, cinema gear accessories, audio gear, and portable lighting packages; we also provide portable post production suites; crewing; technical and logistical support; and studio space, in the form of our well-equipped 48' x 48' x 48' x 17' three-wall hard cyclorama green screen/white cyc studio -- now open and available for your next shoot!

WE ARE A RED DIGITAL CINEMA AUTHORIZED RENTAL HOUSE

We rent to Latin America!  //  Rentamos a America Latina!

 

Available Now - New Gear

Offering Something Special

Coming soon...

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The Award winning LAMBDA Nodal Head is the only Support that allows to set the nodal position with any Camera and pivoting 360° on the focal plan of any Camera. 

The settings are achieved by graduated slides both horizontally and ver cally with micrometric cranks for extreme precision. A smart system of orientable counterweight rods can be used when the slide run is not su cient. 

The LAMBDA 50 Head can be mounted on any classic support as Tripods or Dollies or used in underslung position from Cranes and Jib arms. 

Optional accessories as 3rd Axis, the orientable pan bar, steering wheel, eyepiece holder and the counterweight rods complete the most versatile of supports. 

CineTape 2

** 2019


Cinematography Electronics Inc.
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CineTape 2
Introducing CINETAPE 2

The industry standard CINETAPE MEASURE has been redesigned and now includes built-in wireless communication. The new Cinematography Electronics CINETAPE 2, is smaller, lighter and faster. Same great features and quality, plus more.

CineTape 2 Control
The CINETAPE 2 Control is lighter and smaller than the original CINETAPE. It continuously calculates the distance between the camera’s film plane and the subject. All of the original CINETAPE features are included in the CINETAPE 2. In addition, we added a 2-way wireless radio, that communicates with our AIR Mobile 2 at a strong 500 foot range. We also added BlueTooth compatibility which connects the CINETAPE 2 to an iPhone, via the CineTape Air App. Our App adds many additional features to the new CINETAPE 2.

DJI Master Wheels

**2019

The DJI Master Wheels 3-Axis is a wireless long-range gimbal controller featuring three wheel control modules, each providing individual control over one of the gimbal's axes. The Master Wheels controller is compatible with the DJI Ronin 2 and Ronin-S, and with select third-party gimbals via an SBUS connection. It offers high-precision and low-latency wireless control over 1.8 miles of distance and wired control up to 98' (using an optional cable)

 

General specs

  • Wireless Long-Range Gimbal Controller

  • 3 Wheel Control Modules, 1 Per Axis

  • Compatible with DJI Ronin 2 and Ronin-S – Supports 3rd-Party Gimbals via SBUS

  • 1.8 Mile Distance; 10 ms Latency

  • 3-Stop Gimbal Direction Toggle Switches – Speed, Smoothness, and Damping Dials – Savable/Repeatable Moves

  • 2.4 and 5.8 GHz Dual Frequency

  • Up to 18-Hr Operation in as Low as -4°F (powered by an Inspire Ronin battery)

Cooke ANA FF+

**2019

32mm T2.3

40mm T2.3

50mm T2.3

75mm T2.3

100mm T2.3

135mm T2.3

135mm T2.3

The Anamorphic/i Full Frame Plus prime lenses represent the next logical step in the evolution of filmmaking:  large format production with anamorphic characteristics, including flare and oval bokeh.
Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. At 2x squeeze you would lose too many pixels. At 1.6x you won't get enough anamorphic character. At 1.8x you have that sweet spot with a great anamorphic feel and about 90% of the pixels at 2.4:1. Shoot at 2.7:1 and you have all the available frame and 100% of the pixels.
Superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.
And, the Anamorphic/i Full Frame Plus lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.

**2019

LAMBDA 50
 

Contact Us

6308 NW 77th Ct, Miami, FL 33166, USA

(305) 597-7359

WE ARE A RED DIGITAL CINEMA AUTHORIZED RENTAL HOUSE