ABOUT US

HD House was founded in 2008, when we became the first Camera Rental House to offer the RED Digital Cinema camera in Florida.  Since then, we’ve seen Digital Cinema technology take the Film and Television world in exciting new directions, and we’ve been at the forefront of this revolution in Miami, connecting our clients to state-of-the-art equipment, technical know-how, and skilled technicians for productions of all sizes and budgets.

 

HD House is a full-service Digital Cinema Rental House and Technical Services provider:  we provide equipment rentals, below-the-line crewing, gear transportation, technical consulting services, ENG services, internet streaming solutions, and out-of-state equipment shipping.  We currently have the largest inventory of Cinema Lenses in Florida and an ever-growing inventory of Full Frame Cameras and Optics.  Everything listed in the Equipment Catalogue on our website is actually available in our facility, on the shelf.  We have a spacious and comfortable facility for Equipment Preps, and we are always ready with backup cameras and equipment, should there be unforeseen technical problems in the field.

 

Our goal is to make the task of Equipment Sourcing a stress-free, error-free, and fun process for Producers and their Directors and DP’s.  As your technical support system, we are committed to your success.

 

We look forward to working with you on your next production!

 

-the HD House team

WE ARE A RED DIGITAL CINEMA AUTHORIZED RENTAL HOUSE

We rent to Latin America!  //  Rentamos a America Latina!

 

Available Now - New Gear

Offering Something Special

Cooke Anamorphic/i 85mm MACRO / FULL FRAME / SF

The Anamorphic/i Full Frame Plus Standard and SF (Special Flair) prime lenses represent the next logical step in the evolution of filmmaking:  large format production with anamorphic characteristics, including flare and oval bokeh.


Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. At 2x squeeze you would lose too many pixels. At 1.6x you won't get enough anamorphic character. At 1.8x you have that sweet spot with a great anamorphic feel and about 90% of the pixels at 2.4:1. Shoot at 2.7:1 and you have all the available frame and 100% of the pixels.

Superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.

And, the Anamorphic/i Full Frame Plus lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.

All focal lengths feature a 1.8x squeeze and a T2.3 stop, bar the 85mm MACRO, which is T2.8 . 

The set includes 32mm, 40mm, 50mm, 75mm, 100mm, 135mm, 180mm and the latest 85mm MACRO,  over the next 12 months.

Coming soon...

Be Prepared...

The Award winning LAMBDA Nodal Head is the only Support that allows to set the nodal position with any Camera and pivoting 360° on the focal plan of any Camera. 

The settings are achieved by graduated slides both horizontally and ver cally with micrometric cranks for extreme precision. A smart system of orientable counterweight rods can be used when the slide run is not su cient. 

The LAMBDA 50 Head can be mounted on any classic support as Tripods or Dollies or used in underslung position from Cranes and Jib arms. 

Optional accessories as 3rd Axis, the orientable pan bar, steering wheel, eyepiece holder and the counterweight rods complete the most versatile of supports. 

Sony Rialto

** 2020

When you need to mount your VENICE camera on a stabilizer, shoot from a helicopter, or fit it into a tight space, the Sony Rialto Camera Extension System enables you to remove the sensor block and extend it up to 18' away from the camera body with no loss of image quality. This allows you to acquire images remotely with the same 6K image quality and functionality the VENICE is known for

Not only does the Rialto maintain all the VENICE's functions, it also adds an SDI monitor output and power output at the sensor end of the extension. The 12/24 VDC output enables powering accessories, and the monitor output is useful for an on-camera monitor when hand-holding the sensor block case. The sensor block case also features mounting holes on all top, bottom, and both sides as well as the back, for mounting onto camera supports or handheld rigs. The Rialto works with any VENICE camera body provided the camera has the version 3.0 firmware installed.

Blackwing Tribe7

**2020

“As TRIBE 7 was just beginning, Bradford Young and Neil Fanthom asked us if we had the capabilities and desire to create a completely customizable PRIME CINE lens design. The concept involved creating a core set of 7 lenses, to which another 3 focal lengths could be added at a later date. These lenses needed a new approach and a fully modular design with optical properties that are tunable or de-tunable to create look variations.

“The IB/E optical design team, led by Uwe Eckerl, had to find a way to interpret Bradford’s artistic and Neil’s technical requirements into a kind of lens source code that could be used with our optical calculation software.  This in turn allowed a unique, scalable design to be created for the TRIBE 7 optics.

Uwe said, ‘For Tribe 7, I had to start with an aesthetic and find the algorithms to express that vision. . We knew that TRIBE7 wanted to blend old designs with new processes, to create a new breed of lenses. We also realized  that we had to be quick to deliver these designs to cinematographers as they were creatively exploring the new Full Frame / Large Format / VV cameras.

Premista 28-100mm

**2020

Fujinon Premista 28-100mm T2.9 Features

  • Stunning optical quality and low distortion from the center to the corner

  • It allows the capture of both the feeling and texture of the subjects

  • Delivers clean and sharp imagery with minimum color aberrations regardless of zoom position or distance from subjects

  • Unwanted flare and ghosts are well suppressed and it performs well with the high dynamic range of a large format sensor

  • The color is natural and matched with Fujifilm's current cine lens lineup to simplify color grading

  • The lens barrel combines high durability even in harsh conditions for professional use and a lightweight body

  • Covering 28mm to 100mm and achieving T2.9 across the entire focal length

  • Pleasant bokeh effect with 13 iris blades

  • The focus ring features a rotation of a full 280 degrees to facilitate precise focusing

  • Features a Flange Focal Distance adjustment function with a hex set screw

  • Compatible with the "ZEISS eXtended Data" system

**2020

Cartoni Lambda 50
 

Contact Us

6308 NW 77th Ct, Miami, FL 33166, USA

(305) 597-7359

WE ARE A RED DIGITAL CINEMA AUTHORIZED RENTAL HOUSE