HD House was founded in 2008, when we became the first Camera Rental House to offer the RED Digital Cinema camera in Florida. Since then, we’ve seen Digital Cinema technology take the Film and Television world in exciting new directions, and we’ve been at the forefront of this revolution in Miami, connecting our clients to state-of-the-art equipment, technical know-how, and skilled technicians for productions of all sizes and budgets.
HD House is a full-service Digital Cinema Rental House and Technical Services provider: we provide equipment rentals, below-the-line crewing, gear transportation, technical consulting services, ENG services, internet streaming solutions, and out-of-state equipment shipping. We currently have the largest inventory of Cinema Lenses in Florida and an ever-growing inventory of Full Frame Cameras and Optics. Everything listed in the Equipment Catalogue on our website is actually available in our facility, on the shelf. We have a spacious and comfortable facility for Equipment Preps, and we are always ready with backup cameras and equipment, should there be unforeseen technical problems in the field.
Our goal is to make the task of Equipment Sourcing a stress-free, error-free, and fun process for Producers and their Directors and DP’s. As your technical support system, we are committed to your success.
We look forward to working with you on your next production!
-the HD House team
WE ARE A RED DIGITAL CINEMA AUTHORIZED RENTAL HOUSE
We rent to Latin America! // Rentamos a America Latina!
Available Now - New Gear
Offering Something Special
ARRI SIGNATURE ZOOM
( 110.5-510mm with
ARRI 1.7X Extender )
Designed to match the look and feel of ARRI's Signature Prime range, the LPL-mount 65-300mm T2.8 Signature Zoom with 1.7x Extender produces attractive, organic images while covering sensor sizes ranging from Super35 to full-frame, large-format. This lens includes ARRI's 1.7x Extender which gives you a 110.5-510mm range when attached. The 65-300mm zoom features controlled flaring for HDR compatibility and lower contrast ratios for opening up shadowed areas. It also maintains its T2.8 maximum aperture across its entire focal length range, negating the need for ramping while zooming.
The MINOLTA ROKKOR cine primes have emerged as a viable alternative to the considerably costly Canon K35 lenses, renowned since their introduction in the 1970s for their distinctive visual characteristics. Although the K35 aesthetic is cherished by numerous cinematographers, the lenses' exorbitant prices and limited accessibility have underscored the necessity for alternative options.
During the 1960s and 1970s, the ROKKOR lens series boasted one of the most comprehensive arrays of focal lengths on the market. To address this demand for alternatives, GL Optics has diligently sought out and rehoused some of the finest remaining examples of ROKKOR lenses that remain available.
The Flex Zoom series of lenses from Canon has been designed for outstanding optical performance rendering beautiful and natural images. The breathtaking image quality is ideal for 4K productions. Available in EF mount option and designed for use on large-format cameras, these premium high-end full-frame zoom lenses offer a constant maximum T-stop value of 2.4 across the entire zoom range.
Constant T2.4 throughout the zoom range
The CN-E 45-135MM T2.4 L F is Canon's first full-frame cinema zoom lenses, offering a constant maximum T-stop value of T2.4 across the zoom range. Large aperture lenses allow for more light to reach the sensor, and the light transmission remains constant throughout the zoom range. With consistent light throughout the zoom range offered by both lenses, these two are a great pair for high-quality results no matter the production.
Arri Signature 12mm
Designed as open standard, camera-independent lenses, the versatile LPL-mount ARRI Signature Primes offer easily customizable looks, a wide range of focal lengths, and zoom lenses to match. Like the rest of the series, the 12mm T1.8 ARRI Signature Prime covers all image sensors up to and including full-frame, large-format. This wide-angle lens is one of 16 primes featuring organic images, attractive bokeh, subtle flaring, and a fast maximum aperture for achieving shallow depth of field. This prime lens gently softens the large-format look and produces pleasant, natural skin tones and crisp blacks. Focus falls off smoothly, highlighting your subject against its background frame.
Fujinon Premista 28-100mm T2.9 Features
Stunning optical quality and low distortion from the center to the corner
It allows the capture of both the feeling and texture of the subjects
Delivers clean and sharp imagery with minimum color aberrations regardless of zoom position or distance from subjects
Unwanted flare and ghosts are well suppressed and it performs well with the high dynamic range of a large format sensor
The color is natural and matched with Fujifilm's current cine lens lineup to simplify color grading
The lens barrel combines high durability even in harsh conditions for professional use and a lightweight body
Covering 28mm to 100mm and achieving T2.9 across the entire focal length
Pleasant bokeh effect with 13 iris blades
The focus ring features a rotation of a full 280 degrees to facilitate precise focusing
Features a Flange Focal Distance adjustment function with a hex set screw
Compatible with the "ZEISS eXtended Data" system