HD House was founded in 2008, when we became the first Camera Rental House to offer the RED Digital Cinema camera in Florida. Since then, we’ve seen Digital Cinema technology take the Film and Television world in exciting new directions, and we’ve been at the forefront of this revolution in Miami, connecting our clients to state-of-the-art equipment, technical know-how, and skilled technicians for productions of all sizes and budgets.
HD House is a full-service Digital Cinema Rental House and Technical Services provider: we provide equipment rentals, below-the-line crewing, gear transportation, technical consulting services, ENG services, internet streaming solutions, and out-of-state equipment shipping. We currently have the largest inventory of Cinema Lenses in Florida and an ever-growing inventory of Full Frame Cameras and Optics. Everything listed in the Equipment Catalogue on our website is actually available in our facility, on the shelf. We have a spacious and comfortable facility for Equipment Preps, and we are always ready with backup cameras and equipment, should there be unforeseen technical problems in the field.
Our goal is to make the task of Equipment Sourcing a stress-free, error-free, and fun process for Producers and their Directors and DP’s. As your technical support system, we are committed to your success.
We look forward to working with you on your next production!
-the HD House team
WE ARE A RED DIGITAL CINEMA AUTHORIZED RENTAL HOUSE
We rent to Latin America! // Rentamos a America Latina!
Available Now - New Gear
Offering Something Special
Canon 25-250mm Servo
The Canon CINE-SERVO 25-250 T2.95 Lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.7 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments. The new lens is fully 4K-ready, with a high optical resolution and support for Super35mm large-format cameras. An 11-blade aperture diaphragm helps ensure an artistic and beautiful representation of out-of-focus areas (or “Bokeh”). The lens also features a high 10x zoom magnification, wide focal length range of 25mm to 250mm, and a 180º smooth rotating focus ring. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions. The servo drive unit is compatible with industry-standard protocols for control from a number of lens controllers including Canon’s standard broadcast lens controllers (ZSD-300D/FPD-400D) and multiple industry standard cinema lens controllers. The drive unit can be easily removed for cinema-style shoots and can be easily re-attached without any manual re-alignment. A 16-bit metadata output enables connection to virtual studio systems.
High Zoom Magnification 10x, Focal Length 25-250 with 1.5x Extender
4K Optical Performance with Canon Cinema EOS Color Science
Available in EF Mount or Cooke/i Technology PL Mount Options
Compact and Lightweight Lens
Designed for Cinema Style and Broadcast Applications
Enhanced, Detachable, Ergonomic Servo Drive Unit with 16-Bit Metadata Output for Virtual Studio Systems
High Durability and Ruggedness
Flange-back Adjustment Mechanism and Macro Function
The Award winning LAMBDA Nodal Head is the only Support that allows to set the nodal position with any Camera and pivoting 360° on the focal plan of any Camera.
The settings are achieved by graduated slides both horizontally and ver cally with micrometric cranks for extreme precision. A smart system of orientable counterweight rods can be used when the slide run is not su cient.
The LAMBDA 50 Head can be mounted on any classic support as Tripods or Dollies or used in underslung position from Cranes and Jib arms.
Optional accessories as 3rd Axis, the orientable pan bar, steering wheel, eyepiece holder and the counterweight rods complete the most versatile of supports.
Unsurpassed image quality
Same timeless look as Signature Primes
Smooth and flattering flesh tones
Elegant out-of-focus highlights
No ramping – consistent exposure through all focal lengths
Unchanging image quality across the zoom and iris ranges
Minimal color aberration
1.7 Extender from ARRI
“As TRIBE 7 was just beginning, Bradford Young and Neil Fanthom asked us if we had the capabilities and desire to create a completely customizable PRIME CINE lens design. The concept involved creating a core set of 7 lenses, to which another 3 focal lengths could be added at a later date. These lenses needed a new approach and a fully modular design with optical properties that are tunable or de-tunable to create look variations.
“The IB/E optical design team, led by Uwe Eckerl, had to find a way to interpret Bradford’s artistic and Neil’s technical requirements into a kind of lens source code that could be used with our optical calculation software. This in turn allowed a unique, scalable design to be created for the TRIBE 7 optics.
Uwe said, ‘For Tribe 7, I had to start with an aesthetic and find the algorithms to express that vision. . We knew that TRIBE7 wanted to blend old designs with new processes, to create a new breed of lenses. We also realized that we had to be quick to deliver these designs to cinematographers as they were creatively exploring the new Full Frame / Large Format / VV cameras.
Fujinon Premista 28-100mm T2.9 Features
Stunning optical quality and low distortion from the center to the corner
It allows the capture of both the feeling and texture of the subjects
Delivers clean and sharp imagery with minimum color aberrations regardless of zoom position or distance from subjects
Unwanted flare and ghosts are well suppressed and it performs well with the high dynamic range of a large format sensor
The color is natural and matched with Fujifilm's current cine lens lineup to simplify color grading
The lens barrel combines high durability even in harsh conditions for professional use and a lightweight body
Covering 28mm to 100mm and achieving T2.9 across the entire focal length
Pleasant bokeh effect with 13 iris blades
The focus ring features a rotation of a full 280 degrees to facilitate precise focusing
Features a Flange Focal Distance adjustment function with a hex set screw
Compatible with the "ZEISS eXtended Data" system